Skip to content
Basho Records logo
Close
Hit enter to search or ESC to close

Secret

Martin Speake

Digital format — Album / Tracks

Secret

N.B. Prices in your local currency are an estimate only. Payment providers (e.g. PayPal) use their own exchange rates, so you may see a slightly different price when you check out as the base price is in US dollars.  You can click next to each track to see the price in US dollars.

Buy the CD

also feat.
Martin Speake alto sax, Nikki Iles piano, Duncan Hopkins bass, Anthony Michelli drums
released
2002
Label
Basho Records
Catalogue no.
SRCD3-2

“Secret” (SRCD 3-2). This new contemporary jazz project features Martin Speake on alto saxophone, Nikki Iles on piano, Duncan Hopkins on double bass and Anthony Michelli on drums and cymbals. It was recorded in October 2000 at the end of a highly successful UK tour and despite its length of 78:32 mins took just over 5 hours to lay down. The vibrancy of the playing and the close rapport between the musicians is evident from the first track.

The album features compositions from all Iles, Speake and Hopkins as well as two well known standards – Jobim’s Luiza and The Thrill is Gone by Brown/Henderson.

Martin met Duncan at The Banff Centre for the Performing Arts while studying with Steve Coleman in 1991. He recently performed with Anthony at the Jersey Jazz Festival. Duncan and Anthony perform together in various projects in Canada and already have a strong rapport in their playing. Martin and Nikki have performed and recorded together as a duo in the past and are now augmenting their music with these Canadian musicians.

Reviews

Andrew Vine, Yorkshire Post

Secret is an album of jazz of a very high order from a group that puts to shame many much-hyped American bands

Dave Gelly, The Observer

modest little gem of intelligent but highly approachable small-band music

John Fordham, The Guardian

Timing is everything in jazz, and not just during performances. As the quartet led by saxophonist Martin Speake and pianist Nikki Iles embarks on a long tour of the UK, it is in danger of being sidelined by a slew of starrier jazz acts with the same idea. But it will be an injustice if this responsive, resourceful and thematically original ensemble doesn't get the audiences it should.....This is jazz-jazz, not fusion, and there's no electronic enhancement, unless you count microphones. But it's acoustic quartet playing a very long way up the league

Your Review

Your email address will not be published. Required fields are marked *