Basho Records - Contemporary JazzBASHO RECORDS













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Label Basho Records
Release Date: March 7th 2011
Artist Kit Downes Trio
Catalogue Number SRCD 34-2

Kit Downes - Piano
Calum Gourlay- Double Bass
James Maddren- Drums

with James Allsopp reeds and Adrien Dennefeld cello


  1. Boreal 2:14
  2. Tambourine 8:11
  3. With A View 6.52
  4. Frizzi Pazzi 6:21
  5. Attached 6:47
  6. In Brixen 8:50
  7. Wooden Birds 3:57
  8. Fonias 4:43
  9. The Wizards 5:33
  10. Skip James 9:55
  11. Quiet Tiger 3:14

Total time - 66.52

“Everyone's favourite young pianist… unpretentiously brilliant and full of subtle touches”. The Observer

“A brilliant soloist who builds ideas slowly into cascades of melodic ideas... highly imaginative tunes and
expansive, melodic solos.” Time Out

“A choosy, patient storyteller, if one of his distinctive original themes only requires a handful of
notes and a lot of spaces, he leaves it like that.” The Guardian

"Pianist Kit Downes's slender frame and shy demeanor hide a lightening musical intelligence and an engagingly slow-burn energy." The Daily Telegraph

Quiet Tiger is the second album from BBC Award-winning, 24 year old pianist/composer, Kit Downes and the follow-up to his Mercury Prize nominated debut album Golden. A nomination that announced to a wider audience, what the jazz world already knew, that Downes is one of the most brilliant musicians of his generation. A gifted composer and sparkling improviser, who whether playing with the bands Neon, Troyka and Golden Age Of Steam or leading his own lauded trio, brings an under-stated verve and earthy brilliance to the music. Inspired by artists as diverse as Bill Frisell, Bartok, Skip James, Paul Bley and Bjork as well as singer-songwriters Elliot Smith and Nick Drake, his compositions have a cinematic, story-telling quality that draw the listener in. Indeed Quiet Tiger is aptly titled capturing as it does the gentle charisma of Downes playing and while Golden was a superb document of the trio in its early days it is Quiet Tiger that more completely captures Downes' thoughtful brilliance.

A darker, more textured album than its predecessor, Quiet Tiger again features the Kit Downes Trio with bassist Calum Gourlay and drummer James Maddren as well as special guests Adrien Dennefeld on cello and James Allsopp on tenor saxophone and bass-clarinet. And while the rapport between the trio is clear (they've been playing together for six years now) it is the extra voicings that the addition of cello and horns (often with Allsopp over dubbed on both horns) allow that really bring Downes' music into focus, expanding his musical palate and allowing for a richer, deeper, more expressive sound that perfectly complements his evocative narratives and explosive improvisational journeys.

The album opens with the mysterious, almost chamberish Boreal, while the groove of Tambourine nods to Keith Jarrett's legendary American quartet of the 70s. The graceful With A View is about perception of scale - the higher you are, the clearer your view. The fizzy Frizzi Pazzi is named for a sherbet like sweet from South Tirol, while Attached is about things that seem unconnected but which in fact are. In Brixen is inspired by a town in South Tirol (up in the Alps) and the sinister Wooden Birds has a Tim Berne meets David Lynch-like quality. Elsewhere The Wizards is named for the remarkable James Allsopp and Skip James for the obscure bluesman of the same name but also nods to Bill Frisell. Fonias is a beautiful evocation of a gentle waterfall and the evocative title track Quiet Tiger is inspired by the Taiga or Boreal Forest, a quiet but magical place, much like Downes own unique music.

21/12/2011 The Jazz Breakfast

The trio of Kit, double bassist Calum Gourlay and drummer James Maddren is once again the band and its solo elements, while James Allsopp on tenor saxophone doubled with bass clarinet , and Adrien Dennefeld on cello act as a kind of backdrop to the action. They set off the trio rather than interact with it, and give Downes the chance to write some rich and strangely enigmatic charts against which he, Calum and Maddren can work their magic.It’s beautifully recorded, doing full justice to the depths of the bass and bass clarinet, and the heights of the cymbals. Gorgeous cover art, too

07/03/2011 John Eyles, BBC website

With Quiet Tiger, Kit Downes Trio have built on the success of their debut and moved on to explore new territory. On this showing, their future explorations will make fascinating listening.
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05/03/2011 Mike Hobart, Financial Times 4 stars ****

Kit Downes follows up last year’s Mercury Prize nomination with 11 accessible, scene-setting piano-trio miniatures that are rich in melody and rhythmic poise.
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05/03/2011 Ivan Hewitt, The Telegraph 4 stars ****

Kit Downes may appear slight and willowy on stage, and his music may have a soft-edged charm that promises an easy ride. But it has a toughness that takes it beyond charm. No unnecessary notes, no using mere force and splashy virtuosity to fill time, no fillers to make up an album; these are the rules Downes sets himself, as his impressive Mercury-nominated debut album Golden made clear.

This new album has the same virtues of precision and wit, but it goes further. The sound still has that beautiful lightness, the interplay between the trio (fortified by cellist Adrien Dennefeld and tenor sax player James Allsopp) is as deft as ever. But it ranges wider, touching on nature pieces (as in the title track) and blues. In Brixen is a perfect example of how his music moves beyond its own horizons.

04/03/2011 John Fordham, The Guardian 4 stars ****

Quiet Tiger already sounds like a hot ticket for the jazz landmarks of 2011. The group performs with rugged conviction on a collection of powerful original themes..The album's a fine balance of spontaneity and shapeliness.
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28/02/2011 Chris May, Allaboutjazz

As a member of Neon Quartet, Allsopp's Golden Age of Steam and Troyka, Downes gave British listeners several truckloads of pleasure in 2010. In 2011, with his trio—be it a three piece, a quintet or (live) a sextet—he's doing so again
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